Posted by Christine

Ethan and I are at the Kansas City Renaissance Festival for the next six weekends. The first weekend has been great and quite inspiring. So very many fans have stopped by the booth asking when the third book FIRE OF THE FEY will be out, so I’ve been working hard to deliver.

After a certain point, of course, things are out of our hands. But, if we can get the final editing and cover art to the printers by September 15th (yes, just 8 short days), then we might just have copies in our hands for the last two weekends of the show (October 9/10 & 16/17).

That’s of course if nothing goes wrong, which something almost always does.

But I’m choosing to keep the hope alive!

Our editor is confident he can have it completed by our deadline, barring any major changes (with has me a little scared). The publisher has nearly completed the layout. The manuscript is already at the Beta Readers team. The final cover art is on its way. Copyright & LCCN, check.

SO LOOK FOR AN MID-OCTOBER RELEASE! … just the same weekend as WITCH was out last year. We hope to avoid cutting it so close next year with Power of the Zephyr. We’ve already started outlining for that, and don’t forget, we’ll be publishing short stories monthly, very soon.

Back to FIRE OF THE FEY:

I’ve just completed the first draft of the back cover copy, and I’d like your opinion.

Adventures continue for Cullen Knight and his band of misfits in this third installment of the Rowan of the Wood fantasy series. Still possessed by the wizard Rowan, Cullen settles into his new home with his sister Aidan and their Uncle Moody Marlin, but all is not well. A series of fires raging through the redwoods puts Aidan in the hot seat, as the group looks to the fire elemental for an explanation.

Maddy’s mother discovers a dark and disturbing secret, Ralph and Max are off to a rocky start, and Rex adopts a holy crusade. Meanwhile, Rowan finds some freedom and a new purpose, but little does he know that he hasn’t seen the last of his evil vampire bride, Fiana.

What do you think? Too long? Too varied?
Should it end at “for an explanation”?

We’re get to know some of the other characters better in this book, particularly Aidan, Moody, and especially Maddy, so I don’t want to leave them out of the summary.

Writing summaries suck, btw. Just fyi.

Next up is the cover art. There has been much ado on our end around the cover art, but that looks to be coming to an end. I’m confident that we’ll have a completed cover by the end of the week one way or another.

Look for a post later this week, like maybe Friday, for unveiling of the cover art.

I’m quite excited and feeling good about the possibility of this getting out on time. Keep your fingers crossed for me…

…and leave a comment about your thoughts for this back cover copy.

Thanks!

p.s. Happy Birthday, Dad.



Posted by Christine

Often times at our events, I get asked this same question (usually by tweens) when they find out I’m an author.

They ask, “Are you rich?”

I have to really, really try not to laugh at that question. Really. Really. Try.

Sure, it’s the kids who actually ask, but I don’t doubt that many, many people assume that we are rich. Adults just know that it’s not polite to ask someone about those things.

Still, this question is quite telling, it shows that a good portion of the public think that being an author = rich. Mansions. Movies. Chateau in France. Etc.

Another one that gets me: “You should get them to make a movie of your book.”
Hmmm. Great idea. Why didn’t I think of that?

Or: “You should go on Oprah.”
Yep. Got her on speed dial, how could that have slipped my mind?

Because when people think of authors, people think of *famous* authors like Stephen King, J. K. Rowling, Stephanie Meyer, James Patterson, etc.

Even I, just a short year ago, believed that if we could hit the much coveted New York Times Best Seller list, that we’d be doing okay.

Not.

(In case you missed my post on Publishing Realities, you can read it here, complete with NYTimes Best Selling Royalty Statement.)

Reality is most certainly a bitch.

For those of you who follow me on Facebook and/or Twitter, you know that Ethan and I now have a New York Literary Agent!

Yeah us!

Her name is Louise Fury with the L. Perkins Agency, and she’s all kinds of awesome. I’ve started working on a YA Steampunk Romance that she’ll be shopping around later this year.

Now that we have an agent, we have a better chance of being published by a NY Big Boy. That means, when she sells it, an advance and better distribution! Still, even with that coveted 6-figure advance, we’ll be far from “rich.”

Just think: say we get a $100,000 advance, $85,000 of which we get to keep (15% to Louise), it’s likely the only money we will ever see from that book because “an advance” means an advance against royalties. Big Boy Publishers offer between 5-7% in royalties. Let’s take that large end at 7% on a moderately listed YA paperback novel of $8.99. That’s $.63 a book, meaning the book would have to sell nearly 160,000 copies *just to break even* on the advance. The average books sells 500 copies. We’ve sold 5,000 copies over the last 18 months in the Rowan series, which is about what a midlist author sells, even with a NY Big Boy.

If it takes me a year to write a  book, that’s 85k a year. Not bad, by any means, even for me and Ethan both.

That’s the norm in publishing.

(And even that’s changing. Read this post by 20-yr veteran author Robert J. Sawyer. He wrote FlashForward. You might have seen the TV show, which is now canceled.)

But then let’s take into account the five years it’s taken us to get there without being paid any advances. That $85k/yr has just been averaged into $17K/yr for our first sale. Hopefully thereafter, I can be writing a book a year and making about $85/k every year for a single book. Still $100K is a huge advance. Most advances are more like $10-30K.

And that doesn’t factor in that authors have to use *their own money* for publicity. The publisher doesn’t help with that unless you are Stephanie Meyer or one of those other big names.

Seriously.

And this is all best case scenario with a NY Big Boy. Being with an independent publisher, we get a higher % on book sales, but have a more limited distribution. We rarely make anything that we haven’t hand sold at an event. And over the past 18 months, we’re consistently spending more than we’re making on travel, fees, marketing, and just living.

I wouldn’t be turning down even a $30,000 advance at this point.

If you’re thinking about becoming an author so you can be rich? Think again.

You’ll spend less money, have far less stress, and have just about the same odds by playing the lottery. In fact, I’m thinking more and more about that strategy.

So… No, little girl, I’m not rich. I’m surviving.

If you like our books, please support us by buying one instead of borrowing one.



Posted by Christine

Everyone says not to do it.

But guess what?

We do it.

We all judge a book by its cover. More so than I ever thought.

As you well know, gentle readers, Ethan and I have been busting our tails for the past two years promoting our award-winning series Rowan of the Wood. People love it. Our fan base is growing. We do event after event, and things are going quite well for us! After all, we sold over 4,000 books in 2009. That’s 800% more than the average book sells in its lifetime!

Still, at every event we get these exact same questions:

“Is this a children’s book?” or “Is this a graphic novel?”

We sold as many books as we did because we were there literally selling each book.  85% of those 4,000 sales were when we were there to explain that it, although appropriate for children, is not solely a children’s book.

It’s the covers. They are beautiful works of art by Ia Enstera. We adore those covers! It’s been a pleasure looking at them every day. People comment on the beauty of the art constantly!

But the questions remain:
Does it make people want to pick up the book?
Is it reaching our target audience?

This is a difficult question, as our target audience is fantasy readers of all ages.

After doing this for the past two years, we’ve learned that our largest readership seems to be women from 15-85.

Seriously.

Kids do read the series and enjoy it. Teens read the series and enjoy it. Families read it together and men love it as well, but by far the largest percentage is women.

I think this is because of our dual protagonist: Cullen and Rowan. Cullen, a 12-yr-old orphan hero-type, pulls out their maternal instincts. Rowan, the handsome, love-sick Scotsman/Druid and his tragic story of love, speaks to their romantic side. They also identify with the antagonist Fiana and her plight.

This theory about the cover art was driven home when my long time friend and colleague O. M. Grey told me that a literary agent contacted her based solely on her cover and book premise. After reading the book, the agent loved her story and writing so much, she offered her representation!! Congratulations Olivia!

The response to her Steampunk book has been overwhelming, and it’s not even released yet! (It’s a great book, btw… I got to read it early!)

It’s been so great, that the publisher decided to do a pre-release special on the KINDLE! It’s sold more copies in 2 days than WITCH did in a month! And that’s all based on the cover and the premise! (**& it probably has at least a little to do with the popular Steampunk theme**)

It is a pretty awesome cover:

(I suggest you get it, actually. Quite a good read if you like steamy Paranormal Romance with Vampires… sprinkled with Steampunk & Mystery.)

AVALON REVISITED on KINDLE – $0.99

So… we’ve decided to do an experiment. We’ve decided to go a different direction for the third book FIRE OF THE FEY, and we might even be changing the first two covers as well.

Fantasy artist Susan Schroeder is working up some concept art for the 3rd book, but nothing is set in stone yet.

We want something that appeals to kids, teen, and adults. That’s not asking for too much… right?

Comments?
Opinions?
Thoughts?

Should we change the first two covers with the release of the third book or leave them alone?




So. It’s the end of 2009.
Praise be.

The end of a grossly unprofitable and highly disappointing year. Good Riddance.

We are so far from the NYT bestseller list, that we’re not even on the same planet.
So much for lofty goals.

We couldn’t get media coverage to save our lives. Even with the GGC in tow.

We spent about 45% more on marketing than we earned in book sales.

We were threatened with foreclosure, weren’t sure how we were going to pay our bills, and had more than one emotional (and financial) set back on the personal front.

Still… on the bright side…

Ethan, Oreo, & Star in the GGCOverall, this year was a lot of fun! I got to spend nearly all of it with my entire little family: Ethan, the “girls,” and Shadow, the cat.

We drove from one end of the continent to the other in the Geekalicious Gypsy Caravan at least three times, traveling well over 6,000 miles on the book tour.

We met some incredible people. Saw this beautiful country. Visited family & friends. Got some super book reviews. Won two awards. Found some wonderful fans. Touched more than a few people with our books. Experienced joys and sorrows, both personal and professional.

We’ve sold nearly 4,000 books, no small feat for first time authors with an unknown independent publisher and no marketing budget. Ethan @ B&NEspecially considering that the average book released in the US sells 500 copies in it’s lifetime. This was just in the first year for Rowan of the Wood.

And now, we have the sequel out: Witch on the Water. Many fans have said they like it better than Rowan. Ethan @ Crazy Horse in South DakotaI’d like to think we learned a thing or two about writing along the way, so that’s good news.

The bad news is… I’m exhausted. I hit my ceiling for tolerance and hope around November 1st, and I’ve been recovering every since.

For 2010… we have a new plan. We won’t be traveling as much Christine in the Redwood Forest, CA(I don’t even want to mention the amount we spent in gasoline… and here I am an anti-oil/war environmentalist. It’s embarrassing), but we’ll still be doing some choice events.

We’ll be focusing on what works and trying out some new things, but I’m unlikely to be the marketing whirlwind I was last year. Ethan & Christine shadows on the Salt Flats in UTUnless amazing something tips that gives me a second wind. Like a movie deal :-D (starring Kevin McKidd as Rowan!)

We’ll be sticking closer to home out of necessity and staying off the computer more. (Yeah! Like that will happen!– actually, I have been keeping away from social networking sites in comparison to the Christine @ Niagra Fallspre-October frenzy.)

Living more.

Writing more.

Reading more.

Ethan @ Badlands Natl Park, SDAnd…helping others more. Authors. Kids. Animals. Plants. Whoever needs helping.

Fewer videos. Fewer book signings. Fewer everything else.

Basically doing everything we did last year… minus the constant marketing.

Ethan in SeattleI won’t be making anymore lofty goals, and I’ll focus on being grateful and happy with what we have, whether that is barely a roof over our heads or some best-seller list. Try to be here. Which, is extremely difficult for me, as I’m obsessively goal-oriented. I’ll be trying to more more toward the process, honing my craft, making art-love-beauty.

Just living.

Enjoying right now.

Christine in St. Louis, MOAfter all we’re rich in LOVE. Heath. Happiness. Friends & Family. A home. We’re quite fortunate, especially with as hard as this year was on many, many, many, many people.

I feel like I’ve lost the last two years of my life to constant marketing.
And it’s so not worth it.

Just plain burnt out.

Life is too short. Too fragile to spend it always reaching to the future.
Time to enjoy now.

Perhaps I’ll write a book on that.

E&C with the GGCStill… it’s been a great ride! See you on the road in 2010 — look for the GGC!

… oh–

and…

BUY OUR BOOKS! :-D



Posted by Christine

Last month I did a blog series called Publishing 101, taking the reader through the four basic choices an aspiring author has to choose from.

In this series, I talked about the antiquated return policy in the book industry and how that’s hurting many publishers (and, in turn, authors). This came across the Twitter-wire today:

Revenue Reality of a Bestseller

Read it. It’s an eye opener.

In the royalty statement shown, the author sold over 7,000 in a six-month sales period. In that same amount of time, over 10,000 books were RETURNED.

What a waste.

Which is why I’m getting myself a Kindle next week. Yep. Finally. Birthday gift or no, I’m getting a Kindle.

eReaders will not be the end of books, but I hope they will be the end of the over-printing-to-fill-bloated-bookstore-orders-just-because-they-can-return-them antiquated policy.

They say it’s the #1 item on Amazon’s Wish List this year, and I can see why.

Put the profits back in the hands of the authors.

Now head on over to my monthly Book Addict blog for some Yuletide Gift ideas!




The last of the Four Basic Choices is Vanity Publishing. Normally when people say “self-publishing,” they mean this, which is why I don’t consider owning your own publishing company as “self-publishing” when talking to the public. It’s published by an independent publisher. Self-published really means Vanity Publishing in most circles.

I don’t recommend this option unless you *only want to see your book in print* and you plan to sell it/give it to a few friends and family or have as companion material for a seminar (or after some other performance, like poetry reading). Generally people will pay more than normal for something after they’ve seen a live performance of it.

If you want to sell your book on Amazon or even direct to your fans, this is not the way to go. You will out price yourself by going this route.

Basically it works like this:

  • You pay a vanity publisher (iUniverse, BookSurge, LuLu, and countless others) to publish your book
    • There are usually many different packages that offer different things, price ranging from a few hundred to several thousand
    • They take care of the ISBN (they also own it), copyright, LCCN, etc
    • They distribute the book worldwide, meaning it’s available via online stores and for order at bookstores, similar to the Lightning Source distribution
    • On the higher-end packages, they’ll normally have author support, etc.
    • Perhaps for another fee, they offer cover design, etc.
    • You pay a pretty high price for each book through their POD services, which makes the cover price of your book too high.
      • Example: a 240 page 8.5×5.5 paperback book costs $3.85 each when you get 300 printed via Lightning Source and $5.60 each from LuLu.
      • To get just $1.00 for each book sold through Amazon or B&N.com, the cover price has to be nearly $15.95. Too much for a book that size at just a $1.00 to you!
      • That same book can be priced at a more reasonable $12.95 if distributed through Lightning Source via your own publishing company, and your royalty will be closer to $2.00 per book.
      • (Don’t kid yourself that you’ll ever get more than $1-2 per book sold through any kind of distributor. $2 per book is HIGH! Via Big Boys, your royalty is under $1.00 per book, most cases, under $0.30 per book.)
      • These prices are based on soft cover. Hard cover books are considerably more, usually twice the price to print.
  • You order your books directly from them.
  • You must market your book, as you do in all the other choices. It’s always up to you to market your book, no matter what avenue you take.

Personal note: I paid an editor through LuLu to edit Rowan of the Wood early on (before it was picked up by the first publisher), and it came back full of grammatical errors that weren’t there when I sent it! I stupidly didn’t re-read it myself, thinking that it had just come back from a “professional” editor. It was quite embarrassing for the initial test run of the book, seeing as how I’m an English Professor and all. Ultimately, it just created more work for me.

As far as I know, no major chain bookstore carries books on the shelves from a vanity publisher, period. You *might* be able to get a book signing in a B&N, but they will unlikely keep them around afterward. There are, of course, as in anything, exceptions.

Also, most awards will not accept “self-published” books; again, they mean those via a Vanity Publisher.

Be sure to define your goals and weigh your sacrifices/risks honestly with yourself before choosing a publishing route. Which road you take really depends upon this.

That about does it for the Publishing 101 Series! I hope you found it helpful on your road to being a published author.

< — (Last Post) “Self-Publishing” Pros & Cons

Start from the beginning of the publishing blog series!

ONLY FOUR MORE DAYS!!


 

 

 

 

 

 
TOMORROW we start our Samhain Blog Book Tour and celebrate the official release of WITCH ON THE WATER!




Quick summary of “Self-Publishing” Pros & Cons before we wrap this series up with Vanity Publishing (what people generally mean when they say “self-published”) tomorrow.

PROS

  • You’re the master/mistress of your own destiny
  • Keep all the rights to your story, characters, merchandising, film/TV, etc
  • Don’t have to wait years to see your book in print or to have readers enjoying your work
  • Don’t have to worry about someone preying on your dreams and taking advantage of you
  • If you do your job of publishing and marketing the book(s) well, then you might gain the attention of a NY Big Boy. If they want to acquire your book, but now it’s on your terms. You have some negotiating power. (Examples of this happening: Eragon series, Diary of a Wimpy Kid, and countless others)
  • Take it on the road, and you can make a modest living doing just that (more in the upcoming book marketing series)
  • You meet your fans as you build readership one by one.

CONS

  • Don’t have the industry/media connections you would with a Big Boy
  • You have to do *everything* yourself or pay to have it subcontracted
  • It’s the most expensive way to get your book published
  • It is an unbelievable amount of work, and it becomes your life
  • It’s a constant struggle to be seen among the millions of other authors/books out there
  • It’s an *extremely* slow process
  • One….by….one….

As I said at the beginning of this series, it all depends upon what you want and what you’re willing to risk and/or sacrifice. That’s what it really comes down to.

< — (Last Post) Getting into Bookstores

(Next Post) Vanity Publishing — >


ONLY FIVE MORE DAYS!!



 

 

 

 




As I stated yesterday in the Lightning Source post, having your book available wherever books are sold is not the same thing as bookstores stocking your books.

Every major chain has their own submission process, but I’m going to focus on Barnes & Noble in this post. It’s by far my favorite of the large chain stores, both as a consumer and as an author. They have been pretty great to us for signings.

First thing you have to do if you want ANY bookstore to carry your book is to make your book RETURNABLE.

This sucks. I know, but it’s currently part of the rules of the game. Again, it’s why even the Big Boys are in dire straights right now… everything is returnable back to the publisher. Think if you had 100,000 copies printed and only 25,000 copies sold. Everything else was returned. That’s a lot of returns. That’s a lot of lost money.

Make your book RETURNABLE when you set up your title through Lightning Source.  You can choose to have LSI either destroy the books or ship them to you. Either way, you’re paying for the returns. It comes out of your income.

Not only do you have to make it returnable, it has to also be at a 55% discount to the bookstores. Again, this sucks; but it’s necessary if you want bookstores to carry it.

Once it shows up in Ingrams database as returnable and at least a 55% discount, you’re ready to go. (Give it a few weeks to be sure.)

Then you (as the publisher) must send two finished books, a letter of intent, and a detailed marketing plan to:

Diane Simowski
Small Press Dept.
Barnes & Noble, Inc.
122 Fifth Ave.
New York, NY 10011

… and cross your fingers. If you did your job by hiring a good editor, cover artist, layout designer, etc… and the quality of writing and visual presentation is up-to-par, then there is no reason B&N won’t carry your book in their warehouse.

This is the next step… still doesn’t mean it’s on the shelves in every bookstore, though. It means that B&N can get them faster, since they’re in their own warehouse, and that you can do book signings in their stores, the single best way as a micro/indie publisher to get books ON THE SHELF. It is a lot of work. A lot of travel.

When you do a signing, they’ll over buy because they know they can return what doesn’t sell. Yes. You pay for any returns. But returning them to their own warehouse rather than to LSI means that another B&N can then carry them.

Big Boys have two things you don’t:

  1. Sales Representatives that negotiate huge purchases for a title or several titles from your catalog with B&N Corporate in NYC.
  2. Deep pockets to pay for good bookstore placement.

Oh yeah. They pay for it. They pay BIG for it.

You know that table in every Barnes & Noble that says “New in Paperback”?

Publishers PAY BIG BUCKS to have their books on that table. Same goes for “New Releases,” certainly not every one of the 800 books published on a given day will be on that shelf. Nope. Only the ones that PAY to be there.

Same goes for end caps.

Publishers pay big because they know that 60% of book sales are from bookstore placement.

Period.

You can’t compete with that. This is part of the “cons” of being “self-published.”

The only prominent display in B&N that’s not paid for is the “Bookseller Recommends” section. If you can get in good with one of the booksellers, perhaps they’ll “recommend” your book.

The other way is to have a book signing there. If the CRM (Community Relations Manager) is worth their salt, then they’ll have posters in the window leading up to your event, a display of your books before and after you’re there, and you’ll be mentioned in the calendar.

We’ve done about 100 Barnes & Noble book signings from coast to coast. About 30% of the CRMs really, truly cared and did their job extremely well, which means a successful signing for you and for them. About 40% were just going through the motions, and the final 30% weren’t even there on the night of our signing. So obviously don’t care.

We kept a list.

As for Independent Bookstores, many many many of them will deal directly with the publisher (i.e. you) on consignment or wholesale. Get to know your local booksellers. Also check out IndieBound for a list of Independent Bookstores nationwide.

This is even more work because there isn’t a central office or uniform process.

< —- (Last Post) Lightning Source Distribution

(Next Post) “Self Publishing” Pros & Cons — >

ONLY SIX MORE DAYS!!!!


 

 

 

 




As I previously mentioned, there are two main book wholesalers: Ingrams and Baker & Taylor. If you have your book available in these two places, then it’ll be available virtually everywhere books are sold.

Baker & Taylor have a partnership program for small publishing houses. It’s costs around $300 to sign up for it; however, if you go through Lightning Source, your book will be available in both Ingrams and Baker & Taylor.

Lightning Source is the “distribution arm” of Ingrams, the largest book wholesaler in the nation. The cool thing about Lighting Source is that’s it’s more than a distributor.

It’s a printer/distributor rolled into one, and it’s the “self-publisher’s” (or micro/indie publisher’s) best friend.

After you have set up your business and gotten your ISBN #s, etc, you’ll want to set up a publisher’s account with Lightning Source. It costs less than $300.

Once you have your LSI team, you can submit a new title, which costs $125. You can download templates for your or your artist/layout designer to use for both the interior and exterior PDF files of your book. This is what you’ll upload to Lightning Source. $40 for each upload. Then get a proof ($30)… and your set!

Once you’re in the Lighning Source system, your book is available wherever books are sold, because they’re now in both Ingrams & Baker & Taylor’s system. If they’re there, then they’re available from Amazon, Barnes & Noble, Borders, etc…

PLEASE NOTE: Being available doesn’t mean the bookstores like Barnes & Noble will carry your books on the shelf. That’s a whole different ballgame, which I’ll cover in the next post.

Being available means that they can type in your name, ISBN #, and/or book title in their system, and it will be available to order for the customer asking about it.

It’s still up to you to get the customers in the store asking for it.

However, they are automatically available from Amazon & Barnes&Noble online.

One of the other great things about Lightning Source is that they are a POD (Print On-Demand) printer, which means your book isn’t printed until it’s ordered.

This is a HUGE thing in today’s market. I’m a lifelong environmentalist, so this makes perfect sense to me.

Some Big Boys are in trouble because of the excessive book printing (100,000+ print runs) vs. bookstore returns (next post). Not to mention warehouse space costs, etc. Ultimately, books get thrown away (not even recycled in many cases), so POD is a no-brainer for me.

With LSI, they’re printed and shipped as they’re ordered within 24 hours.

They’re never unavailable through Amazon or any other bookseller.

Never again will I be in the middle of a huge promotional push and have my books unavailable. Although “selling out” looks really good in a press release, but what it really means is loss of potential sales.

People are impulse buyers. Only a small percentage will come back to buy something that wasn’t there when they wanted it.

Make sure your book is always available for your potential readers.

As a micro/indie publisher, Lightning Source is the way to go.

< — (Last Post) Your Own Indie Publishing House

(Next Post) Getting into Bookstores — >

SEVEN MORE DAYS!


 

 

 

 




As an author, the greatest thing about owning your own publishing house is that you can do things your way. You don’t have to worry about being taken advantage of by those preying on your dreams.

Your destiny is in your hands… and yours alone.

If you succeed or if you fail, it’s all up to you.

The worst thing about owning your own publishing house is the amount of work and money involved. It is, by far, the most expensive way to get your book published. No doubt.

However, it also has the greatest potential for reward.

Again… the higher the risk, the greater the reward.

Sure, you can sit back and write all day, every day; but not if you want your books to sell. Not until you’re at the level of James Patterson or Sue Grafton can you just write every day. There is marketing to do… and it’s up to you (as I’ve said before). This is true for whichever of the Four Basic Choices you choose.

If you want your book to sell… it’s up to you to promote it.

Additionally, however, as the publisher, it is also your responsibility to get the book professionally edited, layed out, and printed. You must also take care of things like Copyright & LCCN numbers… not to mention the all-too-important ISBN number.

These things and more are now up to you as the publisher.

By far the best way to self-publish your book is to own your own indie publishing company.

  • First, you must establish a company and, preferably, make it an LLC. Depending on the state in which you incorporate and if you do it yourself or hire a lawyer, this can run from hundreds of dollars to thousands.

With a publishing company comes other responsibilities that I won’t go into here. I recommend a book called “Dan Poynter’s Self-Publishing Manual” (there is now also a second volume that talks you through the latest technologies). This will take you through everything, step-by-step, something I certainly can’t do in the confines of this blog.

  • Next, you have to get an ISBN number. DO NOT buy a single ISBN number. I know it’s cheaper, but you will not own that ISBN, another company will. The only way to get an ISBN number that you own is to get at least a block of 10 for around $325. You will be getting this from Bowker. (Tip: if you take my advice and go with Lightning Source as a distributor/printer, do not buy a UPC symbol along with your ISBNs from Bowker, because you get one with your book setup at Lightning Source)

Ten may seem like a lot of ISBN numbers, but it’s really not. You need a unique ISBN for every version of the book. (i.e. hardback, paperback [trade], paperback [mass market], audio book, eBook [Kindle], etc.). They add up fast.

  • PAY A PROFESSIONAL EDITOR. I mean it. Don’t scrimp here. This can cost from $200 – 10,000 or more, depending on the editor you choose.
  • Pay a professional proofreader. This is not necessarily the same person as the editor. $15/hr to $150/hr.
  • If you do not know how to layout a book in InDesign or a similar program, PAY SOMEONE TO DO IT. Trust me. I know it’s a lot of money, but once your book is out there… it’s out there. $25/hr – $150/hr.

You own a professional publishing house now… so your books must look professional, inside and out.

  • Unless you are a graphic artist by trade, hire someone to do your cover. $300-2,500. People DO judge a book by its cover. Don’t kid yourself. Research in your genre and see what other covers look like.(Side note: as much as I LOVE the covers of our books, and they are works of art, they turn off many teen readers. Some teens say the covers look too “young” for them. Do your research.)

I know a lot of this figures can be scary, but remember that it doesn’t all have to be done at once. Don’t look at this and say “AHHHHH! This is going to cost me $50,000!” – that might be over a year’s time. And, with a little creativity, you can get professional quality work for less. For example, college students learning their trade might do it for $15/hr rather than $100/hr. You get the quality. They get something for their resume. It’s a win-win.

Also, many artists/freelance professionals will do work in trade or partial trade. Be creative. We got our Geekalicious Gypsy Caravan (normally a $6,000 job) decorated for about $2,000 out of pocket. The rest was in trade.

Craigslist is a great place to find freelance artists and editors. It’s where we found our Illustrator Ia Enstera, and you see how gorgeous our covers are! :-D

  • Submit your book to the Library of Congress for an LCCN number. You cannot get In Publication Data for your book unless your publishing house publishes at least 3 different authors. This is a minor problem, but not an insurmountable one. Still, an LCCN number is required. It doesn’t cost anything. You will have to send them a copy or two of your book once printed.
  • Copyright your book with the US Copyright office. It’s about $30.
  • If you want to try and get your book reviewed by major reviewers (Publisher’s Weekly, Kirkus, etc.), they will want a book at least 4 months before publication.

I know a lot about this avenue because this is the route we were going to take before we were picked up by our first indie publisher. Good thing, too, as it’s the avenue we landed back on after we fired our first indie publisher.

Distribution is a biggie. So I’ll save that for the next post.

< — (Last Post) Intro to “Self-Publishing”

(Next Post) Lightning Source Distribution — >

ONLY 8 MORE DAYS!