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As an author, the greatest thing about owning your own publishing house is that you can do things your way. You don’t have to worry about being taken advantage of by those preying on your dreams. Your destiny is in your hands… and yours alone. If you succeed or if you fail, it’s all up to you. The worst thing about owning your own publishing house is the amount of work and money involved. It is, by far, the most expensive way to get your book published. No doubt. However, it also has the greatest potential for reward. Again… the higher the risk, the greater the reward. Sure, you can sit back and write all day, every day; but not if you want your books to sell. Not until you’re at the level of James Patterson or Sue Grafton can you just write every day. There is marketing to do… and it’s up to you (as I’ve said before). This is true for whichever of the Four Basic Choices you choose. If you want your book to sell… it’s up to you to promote it. Additionally, however, as the publisher, it is also your responsibility to get the book professionally edited, layed out, and printed. You must also take care of things like Copyright & LCCN numbers… not to mention the all-too-important ISBN number. These things and more are now up to you as the publisher. By far the best way to self-publish your book is to own your own indie publishing company.
With a publishing company comes other responsibilities that I won’t go into here. I recommend a book called “Dan Poynter’s Self-Publishing Manual” (there is now also a second volume that talks you through the latest technologies). This will take you through everything, step-by-step, something I certainly can’t do in the confines of this blog.
Ten may seem like a lot of ISBN numbers, but it’s really not. You need a unique ISBN for every version of the book. (i.e. hardback, paperback [trade], paperback [mass market], audio book, eBook [Kindle], etc.). They add up fast.
You own a professional publishing house now… so your books must look professional, inside and out.
I know a lot of this figures can be scary, but remember that it doesn’t all have to be done at once. Don’t look at this and say “AHHHHH! This is going to cost me $50,000!” – that might be over a year’s time. And, with a little creativity, you can get professional quality work for less. For example, college students learning their trade might do it for $15/hr rather than $100/hr. You get the quality. They get something for their resume. It’s a win-win. Also, many artists/freelance professionals will do work in trade or partial trade. Be creative. We got our Geekalicious Gypsy Caravan (normally a $6,000 job) decorated for about $2,000 out of pocket. The rest was in trade. Craigslist is a great place to find freelance artists and editors. It’s where we found our Illustrator Ia Enstera, and you see how gorgeous our covers are!
I know a lot about this avenue because this is the route we were going to take before we were picked up by our first indie publisher. Good thing, too, as it’s the avenue we landed back on after we fired our first indie publisher. Distribution is a biggie. So I’ll save that for the next post. < — (Last Post) Intro to “Self-Publishing” (Next Post) Lightning Source Distribution — >
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5 Comments posted on "Your Own Indie Publishing House"
Authors Christine & Ethan Rose on October 6th, 2009 at 9:59 am #
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Authors Christine & Ethan Rose on October 8th, 2009 at 9:48 am #
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Authors Christine & Ethan Rose on October 12th, 2009 at 6:11 pm #
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Joel Friedlander on October 12th, 2009 at 7:00 pm #
Christine, Been enjoying your series, I think you’ve done a really good job of breaking this whole set of choices down for people, and most of your advice seems right on. I especially like the balance that you displayed by showing the “pros” and “cons” to many choices, and the “warning signs” about so-called “self-publishing” companies should be required reading for all who dare to venture into self publishing. A small quibble is that Bowker now sells individual ISBNs directly from their own website (you don’t have to get them from a reseller) and I believe these will show you as the publisher. It’s not cheap ($125 minimum for one ISBN) but it can be done, as I’ve done this for my clients when it’s appropriate. It might also seem less onerous to readers to know that there are publishing service companies that will handle the majority of the tasks needed to get your book ready for print, and stay with you through the production process so you don’t have to separately contract with editors, designers, proofreaders, indexers, etc. but use a “one stop shop.” Anyway, thanks again for all the work on this series, it’s much appreciated.
Christine on October 13th, 2009 at 12:42 pm #
Hey, Joel! Thanks – so glad you’re enjoying the series! Bowker does sell their ISBNs one at a time, that’s true; however, one cannot get a “publisher’s prefix” unless one buys a set of at least 10. Be careful about buying just one. Check to ensure that the author/publisher owns that ISBN, and not another company. We did this, from Bowker, for an early hardback edition of Rowan of the Wood. The owner of the ISBN is “Independent Publishers” – a crafty, misleading name — but it’s actually the name of another company. Post a comment
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