Archive for Publishing 101


The last of the Four Basic Choices is Vanity Publishing. Normally when people say “self-publishing,” they mean this, which is why I don’t consider owning your own publishing company as “self-publishing” when talking to the public. It’s published by an independent publisher. Self-published really means Vanity Publishing in most circles.

I don’t recommend this option unless you *only want to see your book in print* and you plan to sell it/give it to a few friends and family or have as companion material for a seminar (or after some other performance, like poetry reading). Generally people will pay more than normal for something after they’ve seen a live performance of it.

If you want to sell your book on Amazon or even direct to your fans, this is not the way to go. You will out price yourself by going this route.

Basically it works like this:

  • You pay a vanity publisher (iUniverse, BookSurge, LuLu, and countless others) to publish your book
    • There are usually many different packages that offer different things, price ranging from a few hundred to several thousand
    • They take care of the ISBN (they also own it), copyright, LCCN, etc
    • They distribute the book worldwide, meaning it’s available via online stores and for order at bookstores, similar to the Lightning Source distribution
    • On the higher-end packages, they’ll normally have author support, etc.
    • Perhaps for another fee, they offer cover design, etc.
    • You pay a pretty high price for each book through their POD services, which makes the cover price of your book too high.
      • Example: a 240 page 8.5×5.5 paperback book costs $3.85 each when you get 300 printed via Lightning Source and $5.60 each from LuLu.
      • To get just $1.00 for each book sold through Amazon or B&N.com, the cover price has to be nearly $15.95. Too much for a book that size at just a $1.00 to you!
      • That same book can be priced at a more reasonable $12.95 if distributed through Lightning Source via your own publishing company, and your royalty will be closer to $2.00 per book.
      • (Don’t kid yourself that you’ll ever get more than $1-2 per book sold through any kind of distributor. $2 per book is HIGH! Via Big Boys, your royalty is under $1.00 per book, most cases, under $0.30 per book.)
      • These prices are based on soft cover. Hard cover books are considerably more, usually twice the price to print.
  • You order your books directly from them.
  • You must market your book, as you do in all the other choices. It’s always up to you to market your book, no matter what avenue you take.

Personal note: I paid an editor through LuLu to edit Rowan of the Wood early on (before it was picked up by the first publisher), and it came back full of grammatical errors that weren’t there when I sent it! I stupidly didn’t re-read it myself, thinking that it had just come back from a “professional” editor. It was quite embarrassing for the initial test run of the book, seeing as how I’m an English Professor and all. Ultimately, it just created more work for me.

As far as I know, no major chain bookstore carries books on the shelves from a vanity publisher, period. You *might* be able to get a book signing in a B&N, but they will unlikely keep them around afterward. There are, of course, as in anything, exceptions.

Also, most awards will not accept “self-published” books; again, they mean those via a Vanity Publisher.

Be sure to define your goals and weigh your sacrifices/risks honestly with yourself before choosing a publishing route. Which road you take really depends upon this.

That about does it for the Publishing 101 Series! I hope you found it helpful on your road to being a published author.

< — (Last Post) “Self-Publishing” Pros & Cons

Start from the beginning of the publishing blog series!

ONLY FOUR MORE DAYS!!


 

 

 

 

 

 
TOMORROW we start our Samhain Blog Book Tour and celebrate the official release of WITCH ON THE WATER!




Quick summary of “Self-Publishing” Pros & Cons before we wrap this series up with Vanity Publishing (what people generally mean when they say “self-published”) tomorrow.

PROS

  • You’re the master/mistress of your own destiny
  • Keep all the rights to your story, characters, merchandising, film/TV, etc
  • Don’t have to wait years to see your book in print or to have readers enjoying your work
  • Don’t have to worry about someone preying on your dreams and taking advantage of you
  • If you do your job of publishing and marketing the book(s) well, then you might gain the attention of a NY Big Boy. If they want to acquire your book, but now it’s on your terms. You have some negotiating power. (Examples of this happening: Eragon series, Diary of a Wimpy Kid, and countless others)
  • Take it on the road, and you can make a modest living doing just that (more in the upcoming book marketing series)
  • You meet your fans as you build readership one by one.

CONS

  • Don’t have the industry/media connections you would with a Big Boy
  • You have to do *everything* yourself or pay to have it subcontracted
  • It’s the most expensive way to get your book published
  • It is an unbelievable amount of work, and it becomes your life
  • It’s a constant struggle to be seen among the millions of other authors/books out there
  • It’s an *extremely* slow process
  • One….by….one….

As I said at the beginning of this series, it all depends upon what you want and what you’re willing to risk and/or sacrifice. That’s what it really comes down to.

< — (Last Post) Getting into Bookstores

(Next Post) Vanity Publishing — >


ONLY FIVE MORE DAYS!!



 

 

 

 




As I stated yesterday in the Lightning Source post, having your book available wherever books are sold is not the same thing as bookstores stocking your books.

Every major chain has their own submission process, but I’m going to focus on Barnes & Noble in this post. It’s by far my favorite of the large chain stores, both as a consumer and as an author. They have been pretty great to us for signings.

First thing you have to do if you want ANY bookstore to carry your book is to make your book RETURNABLE.

This sucks. I know, but it’s currently part of the rules of the game. Again, it’s why even the Big Boys are in dire straights right now… everything is returnable back to the publisher. Think if you had 100,000 copies printed and only 25,000 copies sold. Everything else was returned. That’s a lot of returns. That’s a lot of lost money.

Make your book RETURNABLE when you set up your title through Lightning Source.  You can choose to have LSI either destroy the books or ship them to you. Either way, you’re paying for the returns. It comes out of your income.

Not only do you have to make it returnable, it has to also be at a 55% discount to the bookstores. Again, this sucks; but it’s necessary if you want bookstores to carry it.

Once it shows up in Ingrams database as returnable and at least a 55% discount, you’re ready to go. (Give it a few weeks to be sure.)

Then you (as the publisher) must send two finished books, a letter of intent, and a detailed marketing plan to:

Diane Simowski
Small Press Dept.
Barnes & Noble, Inc.
122 Fifth Ave.
New York, NY 10011

… and cross your fingers. If you did your job by hiring a good editor, cover artist, layout designer, etc… and the quality of writing and visual presentation is up-to-par, then there is no reason B&N won’t carry your book in their warehouse.

This is the next step… still doesn’t mean it’s on the shelves in every bookstore, though. It means that B&N can get them faster, since they’re in their own warehouse, and that you can do book signings in their stores, the single best way as a micro/indie publisher to get books ON THE SHELF. It is a lot of work. A lot of travel.

When you do a signing, they’ll over buy because they know they can return what doesn’t sell. Yes. You pay for any returns. But returning them to their own warehouse rather than to LSI means that another B&N can then carry them.

Big Boys have two things you don’t:

  1. Sales Representatives that negotiate huge purchases for a title or several titles from your catalog with B&N Corporate in NYC.
  2. Deep pockets to pay for good bookstore placement.

Oh yeah. They pay for it. They pay BIG for it.

You know that table in every Barnes & Noble that says “New in Paperback”?

Publishers PAY BIG BUCKS to have their books on that table. Same goes for “New Releases,” certainly not every one of the 800 books published on a given day will be on that shelf. Nope. Only the ones that PAY to be there.

Same goes for end caps.

Publishers pay big because they know that 60% of book sales are from bookstore placement.

Period.

You can’t compete with that. This is part of the “cons” of being “self-published.”

The only prominent display in B&N that’s not paid for is the “Bookseller Recommends” section. If you can get in good with one of the booksellers, perhaps they’ll “recommend” your book.

The other way is to have a book signing there. If the CRM (Community Relations Manager) is worth their salt, then they’ll have posters in the window leading up to your event, a display of your books before and after you’re there, and you’ll be mentioned in the calendar.

We’ve done about 100 Barnes & Noble book signings from coast to coast. About 30% of the CRMs really, truly cared and did their job extremely well, which means a successful signing for you and for them. About 40% were just going through the motions, and the final 30% weren’t even there on the night of our signing. So obviously don’t care.

We kept a list.

As for Independent Bookstores, many many many of them will deal directly with the publisher (i.e. you) on consignment or wholesale. Get to know your local booksellers. Also check out IndieBound for a list of Independent Bookstores nationwide.

This is even more work because there isn’t a central office or uniform process.

< —- (Last Post) Lightning Source Distribution

(Next Post) “Self Publishing” Pros & Cons — >

ONLY SIX MORE DAYS!!!!


 

 

 

 




As I previously mentioned, there are two main book wholesalers: Ingrams and Baker & Taylor. If you have your book available in these two places, then it’ll be available virtually everywhere books are sold.

Baker & Taylor have a partnership program for small publishing houses. It’s costs around $300 to sign up for it; however, if you go through Lightning Source, your book will be available in both Ingrams and Baker & Taylor.

Lightning Source is the “distribution arm” of Ingrams, the largest book wholesaler in the nation. The cool thing about Lighting Source is that’s it’s more than a distributor.

It’s a printer/distributor rolled into one, and it’s the “self-publisher’s” (or micro/indie publisher’s) best friend.

After you have set up your business and gotten your ISBN #s, etc, you’ll want to set up a publisher’s account with Lightning Source. It costs less than $300.

Once you have your LSI team, you can submit a new title, which costs $125. You can download templates for your or your artist/layout designer to use for both the interior and exterior PDF files of your book. This is what you’ll upload to Lightning Source. $40 for each upload. Then get a proof ($30)… and your set!

Once you’re in the Lighning Source system, your book is available wherever books are sold, because they’re now in both Ingrams & Baker & Taylor’s system. If they’re there, then they’re available from Amazon, Barnes & Noble, Borders, etc…

PLEASE NOTE: Being available doesn’t mean the bookstores like Barnes & Noble will carry your books on the shelf. That’s a whole different ballgame, which I’ll cover in the next post.

Being available means that they can type in your name, ISBN #, and/or book title in their system, and it will be available to order for the customer asking about it.

It’s still up to you to get the customers in the store asking for it.

However, they are automatically available from Amazon & Barnes&Noble online.

One of the other great things about Lightning Source is that they are a POD (Print On-Demand) printer, which means your book isn’t printed until it’s ordered.

This is a HUGE thing in today’s market. I’m a lifelong environmentalist, so this makes perfect sense to me.

Some Big Boys are in trouble because of the excessive book printing (100,000+ print runs) vs. bookstore returns (next post). Not to mention warehouse space costs, etc. Ultimately, books get thrown away (not even recycled in many cases), so POD is a no-brainer for me.

With LSI, they’re printed and shipped as they’re ordered within 24 hours.

They’re never unavailable through Amazon or any other bookseller.

Never again will I be in the middle of a huge promotional push and have my books unavailable. Although “selling out” looks really good in a press release, but what it really means is loss of potential sales.

People are impulse buyers. Only a small percentage will come back to buy something that wasn’t there when they wanted it.

Make sure your book is always available for your potential readers.

As a micro/indie publisher, Lightning Source is the way to go.

< — (Last Post) Your Own Indie Publishing House

(Next Post) Getting into Bookstores — >

SEVEN MORE DAYS!


 

 

 

 




As an author, the greatest thing about owning your own publishing house is that you can do things your way. You don’t have to worry about being taken advantage of by those preying on your dreams.

Your destiny is in your hands… and yours alone.

If you succeed or if you fail, it’s all up to you.

The worst thing about owning your own publishing house is the amount of work and money involved. It is, by far, the most expensive way to get your book published. No doubt.

However, it also has the greatest potential for reward.

Again… the higher the risk, the greater the reward.

Sure, you can sit back and write all day, every day; but not if you want your books to sell. Not until you’re at the level of James Patterson or Sue Grafton can you just write every day. There is marketing to do… and it’s up to you (as I’ve said before). This is true for whichever of the Four Basic Choices you choose.

If you want your book to sell… it’s up to you to promote it.

Additionally, however, as the publisher, it is also your responsibility to get the book professionally edited, layed out, and printed. You must also take care of things like Copyright & LCCN numbers… not to mention the all-too-important ISBN number.

These things and more are now up to you as the publisher.

By far the best way to self-publish your book is to own your own indie publishing company.

  • First, you must establish a company and, preferably, make it an LLC. Depending on the state in which you incorporate and if you do it yourself or hire a lawyer, this can run from hundreds of dollars to thousands.

With a publishing company comes other responsibilities that I won’t go into here. I recommend a book called “Dan Poynter’s Self-Publishing Manual” (there is now also a second volume that talks you through the latest technologies). This will take you through everything, step-by-step, something I certainly can’t do in the confines of this blog.

  • Next, you have to get an ISBN number. DO NOT buy a single ISBN number. I know it’s cheaper, but you will not own that ISBN, another company will. The only way to get an ISBN number that you own is to get at least a block of 10 for around $325. You will be getting this from Bowker. (Tip: if you take my advice and go with Lightning Source as a distributor/printer, do not buy a UPC symbol along with your ISBNs from Bowker, because you get one with your book setup at Lightning Source)

Ten may seem like a lot of ISBN numbers, but it’s really not. You need a unique ISBN for every version of the book. (i.e. hardback, paperback [trade], paperback [mass market], audio book, eBook [Kindle], etc.). They add up fast.

  • PAY A PROFESSIONAL EDITOR. I mean it. Don’t scrimp here. This can cost from $200 – 10,000 or more, depending on the editor you choose.
  • Pay a professional proofreader. This is not necessarily the same person as the editor. $15/hr to $150/hr.
  • If you do not know how to layout a book in InDesign or a similar program, PAY SOMEONE TO DO IT. Trust me. I know it’s a lot of money, but once your book is out there… it’s out there. $25/hr – $150/hr.

You own a professional publishing house now… so your books must look professional, inside and out.

  • Unless you are a graphic artist by trade, hire someone to do your cover. $300-2,500. People DO judge a book by its cover. Don’t kid yourself. Research in your genre and see what other covers look like.(Side note: as much as I LOVE the covers of our books, and they are works of art, they turn off many teen readers. Some teens say the covers look too “young” for them. Do your research.)

I know a lot of this figures can be scary, but remember that it doesn’t all have to be done at once. Don’t look at this and say “AHHHHH! This is going to cost me $50,000!” – that might be over a year’s time. And, with a little creativity, you can get professional quality work for less. For example, college students learning their trade might do it for $15/hr rather than $100/hr. You get the quality. They get something for their resume. It’s a win-win.

Also, many artists/freelance professionals will do work in trade or partial trade. Be creative. We got our Geekalicious Gypsy Caravan (normally a $6,000 job) decorated for about $2,000 out of pocket. The rest was in trade.

Craigslist is a great place to find freelance artists and editors. It’s where we found our Illustrator Ia Enstera, and you see how gorgeous our covers are! :-D

  • Submit your book to the Library of Congress for an LCCN number. You cannot get In Publication Data for your book unless your publishing house publishes at least 3 different authors. This is a minor problem, but not an insurmountable one. Still, an LCCN number is required. It doesn’t cost anything. You will have to send them a copy or two of your book once printed.
  • Copyright your book with the US Copyright office. It’s about $30.
  • If you want to try and get your book reviewed by major reviewers (Publisher’s Weekly, Kirkus, etc.), they will want a book at least 4 months before publication.

I know a lot about this avenue because this is the route we were going to take before we were picked up by our first indie publisher. Good thing, too, as it’s the avenue we landed back on after we fired our first indie publisher.

Distribution is a biggie. So I’ll save that for the next post.

< — (Last Post) Intro to “Self-Publishing”

(Next Post) Lightning Source Distribution — >

ONLY 8 MORE DAYS!

 

 

 

 




So far in the Publishing 101 blog series, I’ve covered the Four Basic Choices, NY Big Boy Publishers, Literary Agents, and Independent Publishers. This next segment, “Self-Publishing,” is quite fuzzy. The boundaries of this choice bleed into both Independent Publishers on one end and Vanity Publishing on the other, thus the quotation marks.

Unfortunately for those authors who have quality work, “Self-Publishing” has a stigma attached to it. Many readers, upon hearing the words “self-published,” conjure up images of badly Photoshopped covers, poor layout, and shotty writing.

In short, there is no quality control unless the author takes it upon him/herself to ensure quality. More often than not, this means a lot of money out to professional editors, graphic artists, and desktop publishers.

However, many other “self-published” books are excellent. Fresh, new ideas that don’t fit into the Big Boy box. Many other readers seek out self-published works because they enjoy something other than the same-ol’, same-ol’.

Truly, the same can be said about books published through the Big Boys. Some are great. Some suck. But they are all professional edited, layed out, and designed.

It has never been a better time to “self-publish” your work, and over the next few days, I will walk you through exactly how to have a quality book that gets into bookstores.

< — (Last Post) Indie Publishing Pros & Cons

(Next Post) Your Own Indie Publishing House — >

Only 9 more days!


 

 

 

 




Thus far in the series, I’ve covered the Four Basic Publishing choices, the NY Big Boys, Literary Agents, and Independent Publishers. Before we go on to Basic Choice #3: “Self Publishing,” let’s recap with a Pro/Con list for the indie publishing avenue.

PROS

  • Validity and prestige of being picked up by a publisher
  • A team working with you that are usually very author-centered
  • Possible marketing budget & in-house publicist, depending on size
  • Possible Industry connections
  • Possible Media connections
  • Possibly good distribution and stocked in bookstores
    (sorry for all these possibles, but it’s just a wide variety, it really depends on the size publishing house, the relationships they’ve built in the industry, and what they offer)
  • Possible advance
  • With some indie publishers, you’ll be able to keep some of the publishing right, like merchandising, movie/TV, electronic, etc… not an option at all with NY Big Boys
  • You get a larger percentage (10-20%) than a NY Big Boy
  • Most indie publishers are actually in a better financial state in the current economy than the NY Big Boys are
  • You can retain more control over your book and not have to deal with the publishing end of it (ISBN #s, Library of Congress, US Copyright, printing costs, etc.)

CONS

  • It’s still up to you to market your book, and you have to share the returns
  • It will take 1-3+ years to see your book in print after acquisition
  • As with any publisher, if after you sign the papers they don’t treat you or your book well, you could’ve just lost the right to publish or find another publisher for years. Know what your signing. Talk to several of their other authors. Have an escape clause in the contract if they don’t hold up their end of the bargain (like paying you royalties on time, sending you accounting reports on time, and keeping the book in print [i.e. keeping up with the print demand])
  • There are a gazillion indie publishers out there, and it’s up to you do research which are legit, which are mostly “self-publishers,” and which ones are crooks

On the next segment, I’ll start talking about Basic Choice #3 “Self-Publishing,” and I’ll explain why I always put that word in quotation marks. :-D There is a lot of information for this choice, so I’ll break it up over several days.

< — (Last Post) An Indie Publisher May Work for You!

(Next Post) Intro to “Self Publishing” — >


 

 

 

 




Last post, I pretty much gave you a brief overview and told you things to watch out for in an Independent Publisher. Actually, most of those things from yesterday showed you how to see through a scam. “Publishers” who do those things aren’t traditional publishers.

(BTW, if they go out of their way to assert they’re a “traditional publisher,” then they’re probably not)

An actual Independent Publisher might be perfect for you.

  • You get the benefit of traditional publishing:
    • someone sharing the risk and the reward
    • distribution in all major retail outlets
    • a team behind you in your journey
    • the validation and prestige of being a published author, which means, someone other than you believed enough in you/your book to invest in it
  • You don’t have the stigma of being “self-published.” Granted, this stigma is lessening, but it is still there.

An independent publisher should be your partner in this journey. One of the greatest reasons to go Indie is the relationship one can have with their publisher and editor.

Indie publishers aren’t running a multi-billion dollar corporation. They’re generally more about the author.

  • You, as an author, might get more say in your cover art (something that almost never happens with a NY Big Boy).
  • You will likely get a higher percentage than with a NYBB. With an Independent Publisher, your percentage will be between 10%-20%.

Before signing with any publisher, ask around. Ask their other authors (note: plural) what doing business with them is like. Because, bottom line, this is a business.

Do they pay royalties on time?
Do they keep the author in the loop?
Do they assist in any marketing efforts?
Are they reasonable to work with or is it one drama after another?
Do they support the authors marketing efforts?
Have they ever fallen behind in keeping up with the demand of a book?

Don’t be so over-the-moon about someone wanting to publish your work that you don’t protect yourself legally and financially. This is still YOUR work. Your baby. Your book.

And you should benefit from it at least as much as the other “middle men,” i.e. publisher, distributor, wholesaler, etc.

Again, if they’re giving you at least a few thousand dollar advance, they’ll be more committed to your success than if they give you nothing.

Don’t kid yourself. It’s all about the money to any business.

If they invest in your book with an advance, you better believe they’re going to work their ass off to get a return on that investment.

Many Independent Publisher are also authors who publish their own books as well as others’ books. This is totally fine! Some Indie Publishers started publishing companies so they could publish their own books, but you must ensure that your book’s success is more important to them than their own book’s success.

As a publisher, if they have more than 3 different authors, they’ve gained a level of validity in the industry. The Library of Congress won’t allow a publisher to get In-Publication-Data unless they’ve published at least 3 different authors.

10 different authors reaches a different level of validity. Ingrams, the largest book wholesaler in the US, won’t look at a publisher until they’ve published 10 different authors. (There is a way to go through Ingrams without this, but I’ll save this for a future post about “self publishing.”)

Just ensure they’re not using your book to validate their publishing business… so they can publish more of their own books.

Basically, are they an author first or a publisher first?

< — (Last Post) Indie Publishers

(Next Post) Indie Pros & Cons  — >


Only 11 more days!

 

 

 

 




If you’ve decided that it’s all just too much or will take too long or is too uncertain to try for a NY Big Boy Publisher, your next choice is a smaller, independent publisher.

Now indie publishers can range from large companies with dozens of employees to a “mom&pop” publishing company run by just one or two people. Some may have an agreement with a distributor, some may not. Some give advances, and some do not. Some actually require submissions strictly through a literary agent, so you’re back to trying to find one of those.

In this day and age, nearly every indie publisher will have a website. On this website will be their submission guidelines. Follow them. Here again is where you have to do some research and follow simple directions.

If they publish solely paranormal romance, don’t submit general fiction.

Common sense, really.

You’ll also want to follow the same instructions for writing a query letter, as if you were writing one for a Literary Agent. It’s still a good idea to know something about the publisher, their acquisitions editor, and what they like.

When you leave the realm of Literary Agents and NY Big Boy Publishers, you have to start watching out for total scams. There are *many, many* people out there who want to prey on your dreams. Don’t let them.

Things to watch out for:

  • ANY PUBLISHER who asks for money upfront *is not* a traditional publisher. They are a vanity press trying to pass as a traditional publisher. A traditional publisher takes on a huge part of the financial risk, that’s why they get such a big cut (at least 80%).
    • Traditional publishers pay the editor.
    • They pay the proofreader.
    • They format and lay out the book.
    • They deal with the Library of Congress and the US Copyright office.
    • They pay for the ISBN numbers.
    • They pay for the print runs.
    • They send out review copies at their expense (both printing & shipping).
    • They help you set up book signings & should have a nice release party for your book.
    • They, hopefully, have distribution – or else your book isn’t going to be available in stores.

    You will get X# of copies of your book for free, but you will have to buy other copies from them for your own purposes/events. This should most definitely be at least for 50% of the cover price.

    But beware:

  • If a publisher says something like: “The more books you buy from us, the more it will help us out.”

    RUN!

    Very fast in the opposite direction.

  • This indicates that they do not have the working capital to invest in a proper print run without your (the author’s) financial help.Here’s how it works:
    • Publishers get books printed for a fraction of the cover price. A paperback book of about 250 pages, 8.5×5.5 in size, should cost between $1.50 and $3.50 per book to print, depending on how many is in the print run.
    • For a small print run of 1000 books, that’s $3500. If they’re charging you 50% of the cover price (say, $14.95), you’re paying that for 235 books.
    • They just got 765 books without *any* financial risk of their own.
    • Yet, they’re taking at least 80% of the sale price from the print run you funded.

    You might as well publish it yourself if this is the case.

    However, again, if you just want to see your book in print and not worry about any of the publishing aspect… if you don’t plan on doing much promotion or if it will just be  an after-work hobby for you, this type of publisher can work for you.

    Just know what you’re getting into.

  • Same as with the Big Boys, and every other option, promoting your book is up to you. With the independent publisher, they, too, might have an in-house publicist at your disposal. That’s a good thing. It also means they make enough to have employees, another good sign that they are a viable business.

My advice: unless a publisher gives you an advance, even if it’s a small, token advance, they’re not going to have the capital or the incentive to really push your book.

Be sure to check out Predators & Editors before signing anything. It’s certainly not comprehensive, but it’s a start.

< — (Last Post) NY Big Boys Pros & Cons

(Next Post)  Why an Indie Publisher Might Work for You— >


 

 

 

 




Thus far in the series, I’ve covered the Four Basic Publishing choices, the NY Big Boys, and Literary Agents. Before we go on to Basic Choice #2: Independent Publisher, let’s recap with a Pro/Con list for the Big Boy publishing avenue.

PROS

  • Huge publishing name behind you
  • Possible marketing budget & in-house publicist
  • Industry connections
  • Media connections
  • Prestige
  • Best shot at NY Times/USA Today Best Seller List
  • Likely decent-t0-good bookstore placement
  • Wide distribution
  • Possible hefty advance

CONS

  • Landing an agent and NYBB publisher are about as likely as winning the lottery
  • You get a very, very small percentage (2-7%)
  • It’s still up to you to market your book, and you see less return per book
  • It will take 3-5+ years to see your book in print
  • They give your book 90 days to make a splash, then they go on to the next one
  • The publishing industry is in a great state of flux at the moment. Things are changing, but the NYBB aren’t changing with them. They’re still working off a century-old business model
  • After all the research and querying you may still not get an agent
  • After getting an agent, you may still not get a publisher… now you’re 2-3 years into this process, so what’s next?
  • It’s, as you can see from the above two, very risky. However, the reward can be great.

Tomorrow we’ll start in on the little guys; i.e. Independent Publishers.

< — (Last Post) Literary Agents

(Next Post) #2 Indie Publishers — >